Porosity and Movement in Life Stories

Abstract

Fueled by intellectual curiosity, literary discourse oscillates between factual and fictional narratives. Continually nourished by reality and imagination, it reflects a binary rhythm of representativeness and subjectivity. This work analyzes the biographical genre to explore the shift in rhetorical boundaries and representations in self-narratives. It examines various techniques writers use to reclaim the territory of intimate stories and lives. Infusing these narratives with meaning and unity aims to bridge the gap between the individual and the world. Awarding the Nobel Prize for Literature to feminist writer Annie Ernaux highlights the growing interest in the biographical genre. Ernaux, known for placing intimacy at the heart of her work, brings attention to this genre that often navigates through narratives marked by left-wing and 'politically correct' perspectives. Consequently, the genre emerges as a vital participant in the world's progress, establishing self-literature that withstands the test of time. A cross-study of various life stories — including intimate narratives, extremist views, self-portraits, memoirs, autobiographical novels, autofictions, and travel stories — enables us to understand the porosity and movement within this expansive genre. By presenting and juxtaposing different biographies, writers create a space for interaction, allowing the lives of others to permeate our understanding. Consequently, the biographical genre, serving as a mediating force, and the concept of otherness as mediation are reexamined within the fictional landscape of the human mind.

Received: 10 January 2024 / Accepted: 29 February 2024 / Published: 6 March 2024